Thursday, November 21, 2024
7:30 PM

From Paris, surrealism spread to Belgium, where René Magritte became a leading figure. In New York, Marcel Duchamp, Max Ernst, and Dorothea Tanning represented surrealism at Peggy Guggenheim’s Gallery of the Century. In Mexico City Frida Kahlo and Diego Riviera together with a group of exiles from WWII, like Leonor Fini and Remedios Varo, organized and showed surrealist art. Exhibitions sprang up in Belgrade, Cairo, Prague, Brussels, London, and San Francisco. A historical survey of Fantastic Art, Dada, Surrealism at MOMA in 1936 introduced the movement to a wider audience.

Breton’s death in 1966 left no heir to unite the divergent branches of surrealist artists all over the world and led to the end of surrealism as a unified movement, but its influence continues today.

Thursday, November 14, 2024
7:30 PM

A year after publishing his Surrealist Manifesto, Breton organized the first group exhibition for La peinture surréaliste in the Gallery Pierre in Paris. It included work by Giorgio de Chirico, Paul Klee, Pablo Picasso, Jean Arp, Max Ernst, Joan Miró, André Masson, Man Ray, Jean Tanguy, and Pierre Roy. New members joined the group in 1929: former Dadaist Tristan Tzara, Salvador Dalí, filmmaker Luis Bunuel, and sculptor Alberto Giacometti. A group of talented women artists have long stood in the shadow of their famous male peers. This lecture also explores the contributions of Leonora Carrington, photographer Dora Mar, Lee Miller, and Meret Oppenheim. The beginning of WWII scattered the surrealist group all over the world.

Wednesday, November 6, 2024
7:30 PM

It is very fitting to end the series by focusing on the work of Kendrick Bangs Kellogg, the San Diego native who recently passed away. He worked with both Sim Bruce Richards and Frederick Liebhardt before going on to design some of the region’s most dramatic buildings.

Wednesday, October 30, 2024
7:30 PM

Sim Bruce Richards drew from his respect for Louis Sullivan, Frank Lloyd Wright, and Irving J. Gill to design homes, commercial buildings, and sacred spaces of wood, glass, and adobe across San Diego County. His passion for Native American, Aztec, and Mayan culture, as well as Japanese architecture, landscape, and craft, greatly influenced over 200 projects unique to our region. Wishing to create living and working environments that delight all the senses, Richards imbued a number of his projects with built-in art by James Hubbell, Rhoda LeBlanc Lopez, and others. This presentation unveils his architectural spirit through tales of Richards’ unique client-architect relationships.

Wednesday, October 23, 2024
7:30 PM

When Lilian Rice was working as a teacher she taught a young Lloyd Ruocco. He then worked with her when she was designing the new town of Rancho Santa Fe. Ruocco went on to become the central figure in the San Diego modernist scene. One of the young architects in his orbit was Frederick Liebhardt. He was one of several of the apprentices of Frank Lloyd Wright who made such an impact in the region after the war.

Wednesday, October 16, 2024
7:30 PM

The only place to begin a discussion of modernism in San Diego is with Irving J. Gill. But what was his legacy? Were all his progressive ideas lost amidst the fashion for Spanish revivalism? We will look at the work of Gill’s protégé Richard Requa in a new light and see how he provides a link with the architects of the midcentury. The lecture will conclude with an examination of San Diego’s rogue architect, William Kesling.

Thursday, October 3, 2024
7:30 PM

In his last years, having lost all whom he had loved, along with his large fortune, Rembrandt turns inward; the cockiness of youth yields to a tragic vision of age and loss. Western art has never experienced such magnificent examinations of what it is to be human. Rembrandt’s portraits present compelling, sentient beings, who think … feel … remember. In these lectures, we always speak of the role of art within its given society, but with Rembrandt’s evocations of a human’s inner life and of the tragedy of life, art becomes universal, transcending boundaries and borders, time and place.

Thursday, September 26, 2024
7:30 PM

When the young Rembrandt arrives in Amsterdam in 1631, he is not only ambitious, but, judging from his self-portraits of that period, brash, cocky, and confident of his artistic power. Determined to prove that he is the equal of the great Flemish artist Peter Paul Rubens, Rembrandt paints in Rubens’s Baroque style. A decade later, Rembrandt realizes that—despite the drama and theatrical lighting effects of Baroque art (characteristics he will retain)—he needs to capture deeper truths, greater profundity. In short, his unrelenting need for drama deepens, but now, buffeted by tragedy, he moves toward the drama of the soul.

Thursday, September 19, 2024
7:30 PM

This lecture will be a meditation on Jan Vermeer, an artist celebrated in literature and movies today, but after his death, forgotten until the 1850s, when a French art critic stumbled upon a masterpiece (View of Delft) by a mysterious artist he thought might be named Meer and devoted the rest of his life to searching out more “Meers.” Today, of course, Vermeer’s crystalline cubes of light-filled space, masterful reflections, and enigmatic, contemplative women make him one of the most revered painters in art history.

Thursday, September 12, 2024
7:30 PM

In the second week, we examine in greater depth the paintings the Dutch loved to see on their walls: landscapes that evoke a land dearly wrested from the sea; still lifes ranging from glorious floral bouquets sparkling with butterflies to dour skulls and smoking candles; genre painting that presents often humorous portrayals of everyday people and everyday lives; and, of course, brilliant portraiture from the easels of artists like Rembrandt and Frans Hals. Dazzling art, to be sure, but also puzzling. How is it that this flat and uninspiring land gives birth to landscapes? Or that this newly minted Protestant nation produces still lifes suffused with religious symbolism? Or that this sober and reserved society invents genre painting, evidence of a people able to laugh at themselves.

Thursday, September 5, 2024
7:30 PM

Art must be placed within its historic context; this first lecture will examine Dutch economic, political, and religious factors in a search for clues to explain how such artistic genius flourished in this time and place. An overarching factor is 17th century Holland’s uniqueness within the European experience. It becomes the first Protestant nation, and its long, ultimately victorious war of independence from Spain frees the Dutch from the only power structures Europe had ever known—King and Church. Power now comes from Holland’s maritime empire and spreads laterally to a solid middle class that reaps immense riches–a wealth that was funneled into art patronage. (There were more artists than bakers in mid-century Amsterdam.)

Thursday, March 7, 2024
7:30 PM

Van Eyck’s art must be viewed on two antithetical levels. While his work is optically rich and highly materialistic, down to single gold threads in a sumptuous tapestry, it is also profoundly spiritual, injected as it is with religious symbols. In addition to transforming the medium used in painting, van Eyck also transformed portraiture, as visible in the Arnolfini Portrait and Portrait of a Man. The lecture ends with painted images of van Eyck’s hometown of Bruges—that sweet Medieval time capsule—and with a coda: the mystery of the 1930s theft of one of the master’s greatest works.

Thursday, February 29, 2024
7:30 PM

This lecture opens with exquisite paintings from what is considered “the most valuable book in the world,” the Limbourg Brothers’ Très Riches Heures du duc de Berry, richly illustrated scenes drawn from our childhood visions of a castles and kings, knights and ladies—a wondrous world for those of us eager to burrow down into history. We then turn toward the pivotal artist Jan van Eyck, notable not only as one of Europe’s greatest painters, but also as the “inventor” of oil paints over the traditional tempera. (The mixing of ground pigments with oil had been attempted unsuccessfully for centuries, and van Eyck discovered how to make the mixture viable.)

Thursday, February 15, 2024
7:30 PM

A great efflorescence in European painting took place in 15th century Florence—the Renaissance. The thumb on the scales of history favors the Renaissance because it is so central to our cultural identity. However, at the very same time, a similar burst of artistic genius took place north of the Alps, in the Duchy of Burgundy, one of the most refined and romantic of all European courts. The immensely talented artists in Burgundy produced work as brilliant and worthy of wonder as their Italian brethren, an art with architecturally rich, light-suffused spaces, sumptuous textiles, and dazzling jewels.

Thursday, November 2, 2023
7:30 PM

In discussing which art movements of the 21st century will have a lasting effect, Feye reviews some of her favorite artists from around the world, many of them “who use any medium imaginable and explore universal or societal issues.” Artists include Ai Weiwei, El Anatsui, Cai Guo-Qiang, Olafur Eliasson, Pussy Riot, Australian Barbara Weir, Kay WalkingStick, Kara Walker, Anish Kapoor, William Kentridge, and Alicia Kwade, among others.

Thursday, October 26, 2023
7:30 PM

The feminist art that began in the 1970s continues in the 1980s. Traditional fabric and fiber crafts inspire the Pattern and Decoration movement in California and New York. In the era of post-Modernism, artists appropriate aspects of previous art movements into their work. Street artists make their statements on public buildings. Environmental artists work with organic material to create impermanent art. Neo-Expressionism arises. Artists include Barbara Kruger, the Guerilla Girls, Alexis Smith, Robert Kushner, Cindy Sherman, Gerhard Richter, Banksy, Jean-Michel Basquiat, Keith Haring, and Maya Lin, to name a few.

Thursday, October 19, 2023
7:30 PM

Installation art expands into immersive life-size environments, while performance art incorporates the participation of the viewer into live happenings. In Europe, the Fluxus movement exerts a strong influence. On the West Coast the Light & Space movement is inspired by the California sun and wide-open spaces. With Earth/site-specific art movement, art moves out of the gallery space and into the open landscape. Conceptual art rising to preeminence placing prime importance on words and ideas. Artists include Ed Kienholz, Robert Irwin, Joseph Beuys, Marina Abramovich, Allan Kaprow, James Turell, Larry Bell, Peter Alexander, Dewain Valentine, Walter de Maria, Michael Heizer, Robert Long, John Baldessari, Bruce Nauman, and Jenny Holzer, among others.

Wednesday, October 18, 2023
7:30 PM

The Athenaeum is excited to present Dr. Katherine Schwab, an expert in the authentic aesthetics and representations of ancient Greek sculpture. In her lecture, which begins at 7:30 p.m. on Wednesday, October 18, Schwab will explore the evidence for color on ancient Greek sculpture and the use of both new and old technologies to aid our understanding of their original polychromatic appearance.

Thursday, October 12, 2023
7:30 PM

Minimalism and Pop Art emerge in reaction to Abstract Expressionism. Op art, or optical art, placing its emphasis on visual perception, follows. West Coast artists, including the “Cool School” and “Finish Fetish” at  LA’s Ferus Gallery, emerge as innovators. Assemblage artists add a third dimension and found objects into their art. Artists include Donald Judd, Agnes Martin, Victor Vasarely, Bridget Riley, Ed Ruscha, Robert Rauschenberg, Jasper Johns, Roy Lichtenstein, Wayne Thiebaud, Joseph Cornell, and Louise Nevelson, to name a few.

Thursday, October 5, 2023
7:30 PM

Cornelia Feye begins the series in the post-war period. Abstract Expressionism is the dominant art movement and is followed in the mid-1950s by color-field painters and geometric abstraction artists. Artists include Willem and Elaine deKooning, Jackson Pollock, Lee Krasner, Joan Mitchell, Helen Frankenthaler, Mark Rothko, Barnett Newman, Frank Stella, Ronald Davis, and Ed Moses, among others.

Monday, May 15, 2023
7:30 PM

In his own words, Matisse sought to create “…an art of balance, of purity and serenity, devoid of troubling or depressing subject matter…” Indeed, this master colorist’s art is rich, sensuous, opulent,   and seemingly transparent… until subjected to deeper scrutiny. Unlike Cezanne’s paintings, which demonstrate a steady progression toward realizing his ultimate artistic vision, Matisse’s six-decade career contained puzzling starts and stops and vacillation between sculptural and decorative styles. Throughout, however, he raised profound questions about the very nature of art, of perception, and of reality. Of his friend and archrival, Picasso said, “All things considered, there is only Matisse.”

Monday, May 8, 2023
7:30 PM

Unlike the very conventional Matisse, Vincent Van Gogh’s life was one of alienation, debilitating mental illness, and ultimately, suicide.  Keenly aware of the isolation his odd behavior caused, he poured his longing for relationships, for human communion, into his paintings. He bends pigment and brushstrokes to his psychic needs. Where, ultimately, do we find Vincent? Not in wheat fields, nor in nighttime skies, nor doleful visages, but in the most basic truth about art: the stroke of hand to canvas.

Monday, May 1, 2023
7:30 PM

When Cezanne and Van Gogh met in Paris in 1886, they despised each other, a contempt that spilled over in their opinions of each other’s work. Indeed, their respective styles were antithetical. Vincent’s art is visceral, Cezanne’s, cerebral. Vincent injected into his paintings his immense psychological yearnings, whereas Cezanne erects psychological barriers to lock the viewer out of his works. Cezanne’s forms are solid and immutable; Vincent’s inanimate objects dance with a kinetic energy. We can’t find Cezanne, the man, in his paintings; in Vincent’s canvases we can’t avoid him. 

Monday, April 24, 2023
7:30 PM

Matisse and Picasso both claimed that Cezanne was “the father of us all,” and indeed, he stands at the inflection point, the cusp, between traditional, realistic art and 20th century abstraction. Solitary, antisocial, mistrustful, Cezanne could only realize his distinctive style in the solitude of his native Provence. The resulting style is as complex as 3D chess; Cezanne’s canvases must be filtered through the intellect to apprehend. For instance, at the same time that his paintings contain explosive oppositional forces, recurring echoes of color or line or shape create loving embraces that stretch across the canvas. In contrast to Van Gogh’s psychological power, Cezanne’s art is cold, aloof, detached: in his landscapes we find none of the solace of nature, in his people, no invitation to friendship, in his still lives, no appeal to appetite. But we do find genius.

Tuesday, November 15, 2022
7:30 PM

Art dealers Ernst and Hildy Beyeler made all the paintings and sculptures of their world-famous art collection accessible to the public at the Fondation Beyeler in 1997. Today, the collection comprises more than 400 classic modern and contemporary works, with an emphasis on Matisse, Picasso, and Monet, as well as ethnographic sculpture. Star architect Renzo Piano designed the building in an English-style park outside Basel to create interplay between art, nature, and architecture.

Tuesday, November 8, 2022
7:30 PM

As part of the National Gallery in Berlin, the Berggruen Collection opened to the public in 1996. It is housed in the western Stülerbau (Stüler Building) opposite Schloss Charlottenburg in what is now known as the Museum Berggruen. With its impressive collection of works by Pablo Picasso, Henri Matisse, Paul Klee, and Alberto Giacometti the Museum Berggruen is one of the most important museums of modern art in Berlin. The art dealer and collector Heinz Berggruen was born in Berlin-Wilmersdorf in in1914, but he left Nazi Germany in 1936 and emigrated to the United States, working as a journalist, before opening a gallery in Paris. He acquired many of his works from the artists he represented at his gallery. We will also visit the Scharf-Gerstenberg Surrealism collection in the twin, eastern, Stüler Building right next to the Berggruen Museum.

Tuesday, November 1, 2022
7:30 PM

The Museo Nacional Thyssen-Bornemisza houses one of the finest and most varied collections of Western painting. Van Eyck, Dürer, Titian, Caravaggio, Rubens, Rembrandt, Canaletto, Monet, Degas, Morisot, Cézanne, Van Gogh, Picasso, Kirchner, Kandinsky, Goncharova, O'Keeffe, Hopper, Dalí, and Pollock are just some of the names on the long list of great masters shown. The collection includes almost 1,000 paintings, spanning the history of art from the 13th right up until the 20th century. Founded by three generations of Thyssen-Krupp industrialists, it was originally located in Lugano, Switzerland, before moving in 1992 to the Villahermosa Palace in Madrid on the Paseo del Prado, across from the Museo Nacional del Prado.

Tuesday, October 25, 2022
7:30 PM

Originally the founder, Knud W. Jensen, intended for the museum to be a home for modern Danish art. But after only a few years he changed course, and instead Louisiana became an international museum of modern art with many renowned works by artists like Giacometti, Calder, Warhol, and German artists of the 1980s. The museum opened to the public in 1958 and, its building is considered a major example of Danish modernist architecture. In the well-balanced style of the late 1950s discreet modernism, the museum presents itself as a horizontal and understated building complex that fits gracefully and intimately into the landscape in Humlebaek, about an hour north of Copenhagen directly on the Baltic coast.

Tuesday, October 18, 2022
7:30 PM

Diaghilev conceived of music, choreography, set design, and costume as equal, integral aspects of the ballet, and he commissioned many great composers, choreographers, and artists to create original works for the Ballets Russes. In its 20-year history, the company could boast of an illustrious, international “Who’s Who” of collaborators, elevating ballet to a new height in the cultural hierarchy. Ruthless and dictatorial, Diaghilev persevered in realizing his artistic vision, until, debilitated by diabetes, he died in Venice in 1929.

Tuesday, October 11, 2022
7:30 PM

Influenced by the dance innovations of Isadora Duncan, Richard Wagner’s concept of the Gesamtkunstwerk, and the synaesthetic theories of Charles Baudelaire, Diaghilev finally achieved his ultimate synthesis of the arts with his creation of the Ballets Russes, which opened in 1909 at the Théâtre du Châtelet in Paris. Dancers included Anna Pavlova, Vaslav Nijinsky, and Mikhail Fokine. The Ballets Russes toured throughout Europe and the Americas uninterruptedly for two decades, from 1909 to 1929.